On a more serious note, I very much doubt that I would have become as enthralled with fantasy fiction and role-playing games were it not for maps. I love them!
Professor Tolkien’s maps of Middle-earth inflamed my imagination as a young lad reading The Hobbit and The Lord of the Rings almost as much as the stories themselves. When I listed my top five favourite fantasy artists of all time in this blog, number four was Pete Fenlon, simply because of his wonderful maps for ICE’s Middle-earth line during the 1980s. Here is one sample:
This map of the ‘Young Kingdoms’ made the world of Elric feel alive and exciting to me when I read Michael Moorcock’s novels as a teenager:
One of my favourite contemporary fantasy writers is Joe Abercrombie. His ‘First Law’ novels are superb. But something that vexed me greatly about the original trilogy was the lack of any maps. I vaguely recall that Abercrombie gave some half-baked rationalization for not including maps, but thankfully he subsequently has relented on this matter. The short story collection Sharp Ends provides readers—finally!—with an ‘official’ map of the ‘First Law’ world.
Maps: they exist for a reason people!
