Below are some quick thoughts on RoP season 2.
Positive:
- The sets in both seasons are great. Ost-in-Edhil, Númenor, and (especially) Khazad-dûm look amazing.
- Many of the actors are quite good and are well cast for the characters they represent (e.g., Elendil, Annatar, Celebrimbor, Durin IV, Elrond, Miriel, Ar-Pharazôn).
- I like the new character Adar and the nuance that he brings to the condition of orcs in Middle-earth (a topic with which Tolkien himself struggled throughout his life).
- The original character Arondir also is cool (and well-acted).
- The relationship and interactions between Celebrimbor and Annatar this season are quite compelling. Annatar’s “gaslighting” of Celebrimbor is well done overall, I think. (But I’m annoyed that the relationship unfolds over a period of months instead of decades.)
- The portrayal of Sauron (Annatar) this season has been excellent.
- I’m still really annoyed by the grossly compressed timeline. Smashing together events from the middle of the Second Age – the forging of the rings and the war of Sauron and the Elves – with events near the end of the Second Age – the fall of Númenor – irritates me to no end. 1700 years reduced to … 170 days?
- Not only does the compressed timeline make a mess of the history of Middle-earth, it creates too many storylines, none of which are adequately developed. E.g., Why is Númenor split between the Faithful and the King’s Men? Watching the show, you’d have no idea (aside from the prospect of “elves stealing jobs”!?!).
- The “Wizard and proto-hobbits” storyline is terrible and pointless. It doesn’t even have a minimal connection to anything that Tolkien wrote. It’s an attempt by the writers to ram into the series a “Gandalf and the Hobbits” origin story. There already are too many storylines in the show and it definitely does not need this one. (The actor who plays the Wizard is quite good, though.)
- The scripts, especially dialogues, are often quite bad (albeit slightly improved from last season).
- Middle-earth feels too “small” in the series. Characters pop around the vast land (from Lindon to Ost-in-Edhil to Khazad-dûm, or from Pelargir to Ost-in-Edhil) far too quickly. (A great virtue of the original Peter Jackson trilogy was that it conveyed a real sense of the enormity of Middle-earth, the far distances and wildlands of the world.)
- Related to the previous point, the pacing always feels off, too rushed.
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