16 July 2018

Forthcoming visual history of D&D

I am curious about this forthcoming book: Dungeons and Dragons Art and Arcana: A Visual History. One thing that it reveals is that many iconic D&D monsters—such as mindflayers and beholders—were sketched initially by teenagers for Gary Gygax and Dave Arneson.

An aspect of D&D that I have long loved—and which distinguishes it from most of the other RPGs that I have played over the years—is its unique creatures and mythology. (As I’ve mentioned before here, this is one of the reasons why Planescape is probably my favourite ‘official’ D&D setting, as it builds on these distinctive elements instead of merely mashing together ideas from mythology and fiction.)

Also, if this page is representative of what will be found in the book, it should be well worth obtaining for the art alone:

16 June 2018

A note on my Spider Cult of Mirkwood Campaign posts

As you may have noticed, I’ve posted a lot about this campaign over the past day or so. The reason: my Adventures in Middle-earth campaign is starting up again (after a 5-month hiatus). I’ve been going through my notes and trying to organize them. It’s surprising how many things I’ve forgotten about since we started up over a year ago! 

In an attempt to get (somewhat) organized, I’ll create a single ‘index’ and ‘log’ for the campaign. This index will join a few others that I’ve posted here for my games over the years (the links to which can be found in the upper-right corner of the blog). It should be posted in a few days. The log will include summaries for each adventure. These will be a few sentences long each. Unfortunately, I don’t have the time or energy to keep writing up ‘complete’ recaps for each adventure. The one’s I’ve already posted will stay up, of course, but I probably will not be doing any more, except perhaps for the final adventure in this campaign storyline (given its importance).

[Part of Chris White's cover image for ICE's Southern Mirkwood book.]
(Notice the Woodmen hiding in the tree huts in the background!)

15 June 2018

To the Tower of Bar-en-Dindol (Spider Cult of Mirkwood campaign part 3)

September 2946...

[A portion of P. Fenlon's magical map from ICE's Mirkwood.]

The agents of Thal Eolsen are successful in their inquiries, and the merchant provides Ulvmund with the location of his ancestral home. The Galmund fiefdom was located about 90 miles northwest of Dale. The family’s ancient tower was located atop a hill that overlooked a small lake, near the ‘Grey Road’—the Men-i-Mithrin—which runs north of Mirkwood (it once connected Dale and Lake-town to the dwarven holds of the Grey Mountains). The tower was called ‘Bar-en-Dindol’, which means ‘dwelling at the silent head’ in Sindarin (it was named by the first Lady to dwell at the tower, who hailed originally from Gondor and thus was fluent in the elvish tongue).

Excited by this news, Ulvmund implores his companions to help him investigate his family’s ancient land and stronghold. Hengil and Hartmut agree, so long as the companions then travel to the Anduin Vale and transport the malevolent black orb to the wizard Radagast.

The companions journey to Dale, and then onwards to the Galmund ruins. En route, on a grey and misty day, the company spots a rider in the distance. The rider does not approach the party, but instead gestures to the northwest; he then rides away, disappearing into the mists.

Eventually the companions reach the ancient land of the Galmund family: the small lake, village, hill, and tower. Unsurprisingly, the village and tower are ruins, though the main floor of the tower remains largely intact.

[Image taken from ICE's Bree supplement.]

Within the tower, the companions discover some wargs (survivors, no doubt, of the Battle of the Five Armies). They defeat two of the vile creatures, but Ulvmund is knocked unconscious, and an especially large and vicious warg escapes to the north.

While Ulvmund slumbers he has a remarkable dream:
Ulvmund sees the tower of his family as it must have looked two centuries ago. Made of firm, clean stones, carefully mortared and smooth, the tower reaches into the sky for a hundred feet. It is a bright spear in the grim Marches. Bright eyed Northmen stand on the top, looking toward the dolorous peaks of the Grey Mountains. Below the Silent-Head hill, stretching along the small Quiet Lake, is a hamlet of farmers and fishers.  
The peace and beauty of the scene is shattered when a black shadow passes over the tower and hamlet. The dragon has come! Smaug, for a malevolent reason known only to himself, desires to extend his desolation far beyond the ruined cities of Dale and Erebor. The wooden buildings of the hamlet erupt in flame; the villagers are all slain to a child. The great tower is not spared: with claw and fire, its upper reaches are destroyed. The guardsmen, servants, and other inhabitants are reduced to ashes or plummet to their deaths. Once the lands about the Silent-Head hill have been blasted, the dragon moves on to wreak destruction elsewhere. 
The vivid nightmare concludes, and Ulvmund awakens in a cold sweat. Standing before Ulvmund’s prone body is the translucent image of his ancestor, Lord Alaric. With an expression of great sadness, makes a gesture that Ulvmund understands to symbolize a well. The ghost then points to the southeast from the well. Finally, as he begins to fade, Alaric points directly at Ulmund and nods. After a few seconds the image disappears. Were it not for its vividness and detail, Ulvmund would swear that he was still dreaming.
Following the instructions given by Lord Alaric, the companions discover a tunnel and three skeletons (the fleeing members of the Galmund family). The Galmund family sword is recovered. Having been crafted by the dwarves of ancient Erebor, the blade remains in excellent condition despite its many decades of neglect.

The next day the companions depart along the Men-i-Mithrin (“Grey Road”). Ulvmund Galmund vows to return someday, though, to rebuild and resettle his family’s demesne.





A plan is made concerning the Black Orb (Spider Cult of Mirkwood part 2.5)

Late June – late August 2946...

 [From ICE's Mirkwood (map by Peter Fenlon).]

Upon returning to Lake-town, the company returns the locked box to the merchant Thal Eolsen. Delighted, the merchant rewards each companion with 20 gold coins. Eolsen also offers a boon to each member of the company. Hengil accepts a finely crafted sword, whereas Hartmut accepts a mighty longbow. Ulvmund requests that Eolsen use some of his many contacts to find what information he can about the Galmund ancestral home, including its precise location. (Ulvmund knows only its general location, as most of his family and their records were destroyed when Smaug razed their home in T.A. 2774.)

Hengil spends much of July and August meditating and studying some of the ancient texts of the elves [healing corruption caused by the black orb]. He also decides, with advice from Luinwen, that the black orb should be taken someplace west of Mirkwood for safekeeping—either to Radagast the Brown, Saruman the White, or Galadriel of Lothlórien. Radagast is selected by the company, as he is closest.



Into Mirkwood and Back Again (Spider Cult of Mirkwood adventure 2)

Mid-late June 2946...

The companions leave Esgaroth with a caravan of four barges. The barges push up the Celduin River to trade with the Wood Elves. After 4 days of travel, the floating caravan reaches the Wood Elf town of Celebannon.

[Map of Celebannon from ICE's Mirkwood.]

The companions go to the only inn in town—‘Dindraug’—where they learn from the Elven traders that the spiders of Mirkwood have become more active in recent years, since the disappearance of the Necromancer. The forest goblins, on the other hand, have become less active during the same period.

Hengil visits the Sindarin scholar Luinwen’s abode. He asks the scholar to help him learn more about the black orb. She agrees, but tells the Dúnedan that it will take her several days of research.

Rothaar One-Leg, a scout and warrior in the employ of the Lake-town merchant Thal Eolsen, arrives at Dindraug early in the morning. He meets the party and informs them that his caravan has been ambushed by a band of goblins, working with a large creature. He does not know what the large creature is, as he was not with the caravan at the time of the ambush; instead, he was scouting the trail ahead of the caravan, and discovered the dead guards and wagon ruins upon his return. Rothaar believes that the goblins have taken at least one guard prisoner, as well as the loot from the wagon.

[Rothaar by Liz Danforth, from ICE's Denizens of the Dark Wood.]

The companions agree to help Rothaar, as does a young (rather eager and naïve) elf hunter named Galen. After Rothaar rests for a few hours and the heroes prepare themselves, the party departs Celebannon, heading southwest along the Elf-path.

In the late afternoon (June 22nd) the party reaches the ambush site. Hartmut identifies the tracks of the mysterious ‘large creature’ as those of a hill troll; the others belong to forest goblins. The beorning then leads the party to one of the hidden rest spots known to him in the region. 

The next day Hartmut and Galen follow the tracks to small clearing; within the clearing, halfway up a rough hill, they two spot a dismal cave. The party convenes at the edge of the clearing; they spy a goblin lurking near the entrance to the cave. Hengil sneaks up to a bush halfway to the hill. There he makes a pheasant sound to draw out the goblin guard. The goblin leaves to investigate; it is promptly shot and slain by Hartmut and Ulvmund.

The company then approaches the cave. Alas, their attempt at stealth fails miserably, as the goblins inside are alerted and they ask the party something in the grotesque Orcish tongue. Unable to answer, the companions charge in to confront their nemeses. After a brief combat, the goblins flee further into the caves. The vile creatures are pursued—eventually a terrible struggle ensues. The goblins are promptly joined by a massive troll, which quickly knocks poor Galen unconscious. With his mighty axe, however, Hartmut manages to chop the troll to death.

[Another picture by Liz Danforth from ICE's Denizens of the Dark Wood.]

Following the desperate mêlée, the party discovers a concealed ‘chimney’—clogged with webs—that leads up and out of the cavern complex. Ulvmund also discovers a kind of ‘saddle’ strapped to the back of the troll. The companions deduce that the saddle is designed to enable a large spider to ‘ride’ the troll as a kind of mount—fortunately, and to the relief of all, there is no sign of the spider itself. After some careful exploration, Hartmut uncovers a finely crafted locked box—the prized possession of the merchant Thal Eolsen, taken from the caravan. Rothaar promises the party that the merchant will reward them greatly for the box’s return.

The party returns to Hartmut’s safe-hold and camps for the night. The following day they journey to Celebannon. During their trip, though, Ulvmund senses that the group is being followed. The Dale-man’s intuition is vindicated when Hartmut spots some spiders following them within the trees. Upon being discovered, the spiders retreat further into the forest. The party, badly battered by their fight with the goblins and troll, elect to return to the elven village rather than pursue the spiders.

The company spends a few days (June 24th – 27th) resting in Celebannon. Luinen has completed her researches concerning the black orb. She gives Hengil the ‘Legend of Unlight’ (which concerns the poisoning of the Two Trees, Telperion and Laurelin): 
The Tale of Ungoliant
…Therefore Melkor said to her: ‘Do as I bid; and if thou hunger still when all is done, then I will give thee whatsoever thy lust may demand. Yea, with both hands.’
A cloak of darkness she wove about them when Melkor and Ungoliant set forth: an Unlight, in which things seemed to be no more, and which eyes could not pierce for it was void.
Upon the mountain-top dark Ungoliant lay; and she made a ladder of woven ropes and cast it down, and Melkor climbed upon it … Then Melkor laughed aloud, and leapt swiftly down the long western slopes; and Ungoliant was at his side, and her darkness covered him.
And in that very hour Melkor and Ungoliant came hastening over the fields of Valinor, as the shadow of a black cloud upon the wind fleets over the sunlit earth; and they came before the green mound Ezellohar.
Then the Unlight of Ungoliant rose up even to the roots of the Trees, and Melkor sprang upon the mound; and with his black spear he smote each Tree to its core, wounded them deep, and their sap poured forth. But Ungoliant sucked it up, and going then from Tree to Tree she set her black beak to their wounds, till they were drained; and the poison of Death that was in her went into their tissues and withered them, root, branch, and leaf; and they died.
And still she thirsted, and going to the Wells of Varda drank them dry; but Ungoliant belched forth black vapours as she drank, and swelled to a shape so vast and hideous that Melkor was afraid.
Hartmut then tell Luinwen—and the other companions—of his past encounter with the ‘spider cult’

The party bids farewell to Luinwen and Galen, and returns to Esgaroth with Rothaar.

14 June 2018

Fellowship Phase in Esgaroth (Spider Cult of Mirkwood part 1.5)

May-June 2946...

[A picture of Esgaroth by J.R.R. Tolkien]

Having completed their first adventure together, our heroes—Hartmut, Hengil, and Ulvmund—spend some time resting in Lake-town.

The companions take the locked chest (which they had discovered within the spidiers’ mound) to Aelfwine, a skilled locksmith in Esgaroth. Within the chest are revealed 2 Dwarven coins and 2 gems (aquamarine and moonstone). Hartmut asks some dwarves in town for more information about the chest. He discovers from them that it is likely from Moria (before its fall to the Balrog).

Hengil researches the black stone. He learns that the etchings on it say (in a corrupted form of Quenya): “Submit to the glory of the Unlight!” Hengil also learns that the stone is likely from the Mountains of Mirkwood, where ‘black glass’ is common. Finally, Hengil is told that an Elvish sage in the village of Celebannon, named ‘Luinwen’, may know more about the stone and the meaning of what is written on it.

Ulvmund researches the spiders of Mirkwood. He learns that there are at least 2 different kinds of spiders: ‘attercops’ and the larger ‘great spiders’. Moreover, these giant spiders are intelligent and can speak the mannish tongue. While evil, though, the spiders are not servants of the Necromancer (but have been known to cooperate with the Necromancer’s minions from time to time).

The companions make plans to travel to Celebannon in the Woodland Realm to learn more about the black stone.

Video that explains Dungeons and Dragons to the uninitiated

This Vox video that explains Dungeons & Dragons (and, to some extent, role-playing games more generally) is pretty good. I especially liked the discussion by the participants about why they play the game (8:00-9:40).

Next time I'm asked by a non-RPGer to explain the hobby that has been a disturbingly large part of my life since the age of 10, I may simply refer them to this video.

10 June 2018

New settings for Dungeons and Dragons 5e?

It looks like some new settings for Dungeons & Dragons 5th edition will be announced by Wizards of the Coast later this year ("Dungeons & Dragons plans to announce several additional publications in 2018 which will add new campaign settings for players outside of the Forgotten Realms").

Personally, I'd love a 5e version of Planescape. It's my favourite 'official' setting ever published by TSR (though, tragically, I've never run or played in a pen-and-paper campaign). It is, I think, the most 'uniquely AD&D' setting ever -- it's 'mythology' in rooted in AD&D's distinctive, weird cosmology (the plethora of planes and their relations to each other), as well drawing heavily on singular AD&D creatures like the Githyanki, Tieflings, and so forth. I appreciate its strange mix of being a hub within a Moorcockian multiverse (and its associated 'law-versus-chaos' factionalism), and its gritty proto-steampunk aesthetic (I'm not a huge fan of steampunk generally, but I like the way it is expressed in the look and ethos of Planescape). Also, thanks to the presence of so many portals ('doors') to other planes, it's easy to connect Sigil to other D&D worlds. So I really hope that this happens!



As for other old TSR settings, I suspect that Mystara (which I used to really dig, but find a bit too 'goofy' these days) and Greyhawk are just too similar to the Forgotten Realms to be done again with full-blown campaign books. Yes, I know that the fans can spell out many 'important' differences among these settings, but from a distance they're all 'kitchen sink D&D' worlds'. Not that there's anything wrong with that! But WotC already has FR.

I'm not that familiar with Spelljammer. It never grabbed me back in the day. But I'd have an open mind to it, if a new version were to be published. Likewise I would consider checking out a 5e version of Dark Sun, which always struck me as quite intriguing, but I never picked up for some reason during 1990s. Among the more recent settings, I don't know much about Eberron, but it looks distinctive and I would consider looking into it as well, should a 5e version be produced.

However, I have zero interest in Dragonlance. In fact, I loathe it. I personally would be grateful if it never reappears as an official setting (though if it does, it should be easy enough to ignore). It gave my teeth too many cavities back in the 1980s...

21 May 2018

Tolkien exhibit at Oxford


























If you're a fan of Middle-earth, and you can manage a trip to Oxford between the 1st of June and the 28th of October, you should check out this exhibit: 'Tolkien: Maker of Middle-earth'. It looks amazing.

I lived in Oxford for two years over two decades ago (1992-94). Strangely, I have not be back since, even though my time there greatly influenced me and shaped the course of my subsequent life. Needless to say, this exhibit sorely tempts me to return. Happily, there is a chance I'll be in England in September. If that works out, I'll definitely try to go to this exhibit ... as well as check out some of my old haunts.


05 May 2018

Mythras Bundle of Holding


Curious about Mythras (formerly RuneQuest 6)? Well, over the next two days you can get a rather impressive bundle of Mythras PDFs for a very low price!

The Starter Collection (14.95 USD [retail value 47 USD]) includes:

  • Mythras core rulebook ($15)
  • Mythras Imperative (free)
  • Classic Fantasy ($20)
  • Three Mythras adventures:
  • A Gift From Shamash ($4)
  • Xamoxis' Cleansing ($4)
  • Madness & Other Colours ($4)
If you want more, you can get the Bonus Collection (threshold starts at 24.95 USD  [retail value 52 USD]):

  • Mythic Britain ($18)
  • Mythic Britain Companion ($5)
  • Mythic Rome ($14)
  • Mythic Rome Maps (PWYW)
  • Three Classic Fantasy adventures:
  • M1 The Terror of Ettinmarsh ($5)
  • G1 These Violent Delights ($5)
  • N1 Tomb of the Mad Wizard ($5)
Design Mechanism's nominated charity is the Electronic Frontier Foundation

More information on this Bundle of Holding can be found here.

And Newt Newport (of D101 Games) recently reviewed Mythras at his 'Sorcerer Under Mountain' blog. 




13 April 2018

A Lyonesse FRPG is coming!


Exciting news from the good people at the Design Mechanism: they will be producing a freestanding RPG (using the Mythras rules) based on Jack Vance’s classic Lyonesse trilogy!

Here is the announcement:
Jack Vance’s high fantasy masterpiece, Lyonesse, is to be brought to life in a new roleplaying game by The Design Mechanism. Licensed and approved by Spatterlight Press, Lyonesse is a standalone game based on the acclaimed Mythras system. 
The Lyonesse trilogy – Suldrun’s Garden, The Green Pearl, and Madouc – tells the story of the Elder Isles, and the ambitions of King Casmir of Lyonesse to bring its fractious kingdoms under his sole rule. Lyonesse is a setting of high chivalry and low cunning. Noble knights rub shoulders with self-serving tricksters, while capricious fairies and child-eating ogres haunt the dense expanse of the Forest of Tantrevalles. Itinerant magicians peddle charms and potions at the Goblin Fair, while kings hoard magical treasures such as the prophetic mirror Persilian. Great armies clash in fierce battles, while the navies of Lyonesse and Troicinet seek to outwit each other on the coastal seas. The new religion of Christianity coexists with the older gods of Hybras, such as Lug of the Sun, Matrona the Moon, Sheah the Graceful, and innumerable parochial half-gods. 
Using The Design Mechanism’s Mythras mechanics, the Lyonesse roleplaying game is presented as a standalone game with all the rules necessary for play. The book will provide a detailed overview of the Elder Isles and its history, its kingdoms and politics, and, of course, its movers and shakers, from King Casmir to the arch mage Murgen; from Shimrod to his nemesis Faude Carfilhiot; from villains such as Visbhume and Torqual, to heroes like Aillas, Dhrun and Madouc.
More information can be found in this PDF.

I’m thrilled by this unexpected development. Vance’s trilogy is one of my all-time favourites. And, of course, Mythras is a brilliant system. Two of my favourite things mixed into one package!

01 April 2018

Tolkien: world-creator and (almost) code-breaker

Over at the Goodman Games site is a short essay on J.R.R. Tolkien. It covers the usual information on the good professor, and comments on the influence of Middle-earth on Dungeons & Dragons. The author (Chris Doyle) is somewhat sceptical of Gary Gygax’s attempts to minimize Tolkien’s influence on the game—and correctly so, in my view.

Anyhow, I learned these two facts about Tolkien from the essay:
“As a child he is said to have been bitten by a large baboon spider, which could have been an influence of his later writings of Shelob in The Lord of the Rings. As the Second World War raged on, Tolkien was tapped by the British government to become a codebreaker. He agreed, and received formal training from the cryptographic department and even took classes at the London headquarters of the Government Code and Cypher School. Later that year he was informed his services would not be required.”
Also, my wife sent me a link to this 'brackify' of the Elves of Middle-earth. I can't make any sense of it. (More specifically, the various 'pairings' generally seem incoherent.) 

13 March 2018

My favourite role-playing games

Apropos of nothing, here is a list of my favourite role-playing games...





















Mythras (formerly RuneQuest 6 and Mongoose's RuneQuest II). 

This is the game that I've played (as opposed to GM'ed) the most in recent years. Highlights include: (a) playing a half-Melnibonean sorcerer in the Young Kingdoms (using MRQII) and (b) playing a Roman mystic-philosopher (in Mythic Britain). Among its many virtues, Mythras has (hands-down) the best combat system I’ve found in a RPG yet.



Call of Cthulhu

I've run a fair amount of this over the years, both campaigns and one-shots. It is probably my favourite game to run overall.



Classic Dungeons & Dragons (including Basic/Expert D&D, AD&D, and related 'retro-clones' [e.g., Swords & Wizardry, OSRIC] and 'pseudo-clones' [especially Crypts & Things]). 

I haven't played too much 'classic D&D' in recent years—except for a short AD&D campaign and a number of sessions of Crypts & Things (a game to which I contributed some rules)—but it remains a constant love for 30+ years.



Dungeons & Dragons 5th edition (especially as modified for Adventures in Middle-earth). 

Finally, an 'in-print' version of 'D&D' that I enjoy! I'm currently running an AiME campaign. It's a pretty solid realization of Middle-earth.




Elric! (a.k.a. Stormbringer). 

An old favourite (especially Elric!/SB5e). It’s a fantasy version of BRP (Basic Role-playing) that is easy to run and has a lot of flavour. While I think that the MRQII version of the setting (now out of print, alas) does a better job in realizing the Moorcock’s multiverse, I have fond memories of this game. 



Middle-earth Role-playing (MERP). 

I haven't played this game in years (the last time, I think, was 1999-2000), but I cherish my ICE collection of MERP adventures, campaign guides, and (especially) maps. Indeed, I am using some MERP material in my current AiME campaign. I ran my first 'real' (i.e., coherent) RPG campaign using MERP while in high-school, and still look back fondly on it. To this day I enjoy reading the critical charts.



There certainly are other games that I’ve played and enjoyed over the years (e.g., Traveller, Star Frontiers, Thieves’ Guild, DragonQuest, The One Ring, Trail of Cthulhu, etc.). But the ones listed above are the ones that stand out for me.



21 February 2018

Iain M. Banks’ Culture is coming to television…


Consider Phlebas—Iain M. Banks’s first novel about the Culture—is coming to Amazon television.

I’m excited by this—but also nervous. I’ve praised Banks before here. He’s my favourite science-fiction writer of the past century. Hopefully Amazon will do a good job with this.

For a great analysis of the Culture (focusing especially on Consider Phlebas), check out this excellent essay, “Why the Culture Wins: An Appreciation of Iain M. Banks,” by Joseph Heath (a philosopher at the University of Toronto). It’s scholarly but also fun—a rare combination!

(Hat tip: Lawrence Whitaker.)

07 February 2018

Conan to tread onto the small screen?

Well this news is rather intriguing:
"Amazon is developing drama series Conan, based on the books by Robert E. Howard.
[…]
Conan retells the classic character's story via a return to his literary origins. Driven out of his tribal homelands, Conan wanders the mysterious and treacherous world of civilization where he searches for purpose in a place that rejects him as a mindless savage.
[…]
[T]he creative goal [is] to return to the original Howard literary works and produce a series that is faithful to the spirit of his Conan character. Conan the Barbarian, aka Conan the Cimmerian, was created by Howard in 1932 in a series of fantasy stories published in Weird Tales magazine."
(More information here.)

While I've always enjoyed the 1982 Conan the Barbarian film since I first saw it as a fantasy-obsessed lad, the Schwarzenegger movie has almost no connection to the original Robert E. Howard tales (and the less said about the sequel and the 2011 version the better). A series actually based on Howard's Conan stories could be great. And I think that a television series probably is a better way to adapt the stories, given their episodic character, than a movie.

I really hope that this becomes a reality-and that it turns out to be as awesome as it has the potential to be.

By Crom! 

21 January 2018

The 'Piano Man' of Erich Zann

The title of this article says it all: 'Someone Realized An HP Lovecraft Poem Maps Perfectly to Billy Joel’s “Piano Man”'.

The poem in question is 'Nemesis'. And it's classic Lovecraft.

I think that the first version of the song is especially good.

Thanks internet!



11 January 2018

Update on 'Into the Borderlands'


As I mentioned several months ago here, Goodman Games is publishing a version of the classic Basic Dungeons and Dragons modules B1 (“In Search of the Unknown”) and B2 (“The Keep on the Borderlands”), with 5e D&D stats included, as well as some new optional material. I have a deep fondness for those modules, as they were the first ones I ever used decades ago when learning how to play RPGs. And even after all of these years, B2 remains (in my judgement) a solid—and, with a creative DM and good players, a very entertaining—mini-campaign setting.

Here is an update on the main features of the product, entitled Into the Borderlands:
The current layout weighs in at 368 pages. We still need to add a few things and anticipate it will close out at around 380 pages. Wow, that’s a big book! The hardcover includes the following:
  • Restored scans of two complete printings of the original B1: In Search of the Unknown. Specifically, the second and sixth printings, one featuring the original monochrome cover and the other featuring the later color cover by Darlene.
  • Three complete monster and treasure assortments for stocking the dungeons of In Search of the Unknown (which are “un-stocked” in the original 1E edition).
  • Restored scans of two complete printings of the original B2: The Keep on the Borderlands. Specifically the second and fourth printings. These are distinguished the change in monster stats between the two printings (Dexterity scores were included in early printings). The later printing also features six interior illustrations that were not present in earlier printings.
  • A complete, “pure” 5E conversion of In Search of the Unknown, including tables for stocking it with creatures.
  • A separate chapter with a few new encounters for the Caverns of Quasqueton, all inspired by references in the original work.
  • A complete, “pure” 5E conversion of The Keep on the Borderlands.
  • A separate chapter with a few new encounters for The Keep on the Borderlands, all inspired by references in the original work.
  • Appendices with 5E stats for newly introduced monsters, hirelings and followers, and magic items.
  • A chapter of introductions and testimonials.
Um, okay. I'm still looking forward to this… But 380 pages?!? That seems ridiculous.

Specifically, including scans of 2 printings for both modules strikes me as excessive. Personally, I'd prefer a straight-up 5e conversion, with some optional supplementary material, as I already own multiple copies of the originals. Nonetheless, I can understand including one scan of B1 and B2 within the product. Two scans, though, just seems excessive, especially given how minor the changes are between the printings.

Despite this gripe, though, the only real question for me is whether to get the print version or just the PDF…


[Above are a couple of illustrations from B2 by the amazing Erol Otus: a colour view of the keep (from the back cover of the module) and the dangerous Hermit.]


10 January 2018

DiTerlizzi on Trampier

I’ve mentioned in the past at this blog my deep and abiding fondness for the art of David Trampier (1954-2014). 

Well today I discovered that the artist Tony DiTerlizzi has a lovely tribute to ‘DAT’ here. (DiTerlizzi is best known to RPGers for his work on the wonderful AD&D Planescape setting. Apparently he also is known for some children’s stories and stuff.)

[Trampier's Fire Giant from the original G3 module]

[DiTerlizzi's middle-school version]

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I'm a Canadian political philosopher who divides his time between Milwaukee and Toronto.